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Roadwork Center For Cultures In Disputed Territories

Learn about this cause: Is it Legit? Do I like the mission? What is the CEO's salary?

EIN: 521166949 ✦ Washington, DC ✦ Designated as a 501(c)(3)

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Overview

What is Roadwork Center For Cultures In Disputed Territories?

The Roadwork Center for Cultures in Disputed Territories is a nonprofit organization established in 1978 by influential figures from the African American civil rights, women's, global justice, and lesbian-feminist movements. Based in Washington D.C., the center focuses on transforming consciousness and fostering new movements in global arts and social justice. Its initiatives include oral history and documentary projects such as "Signing the Songs" featuring Shirley Childress Johnson, as well as collaborations with artists like Amythyst Kiah and Barbara Dane. The center also explores the impact of the pandemic on the Navajo Nation, showcasing their work through digital publications and Smithsonian platforms.

Is Roadwork Center For Cultures In Disputed Territories legitimate?

Roadwork Center For Cultures In Disputed Territories is a legitimate nonprofit organization registered as a 501(c)(3) entity. Roadwork Center For Cultures In Disputed Territories submitted a form 990, which is a tax form used by tax-exempt organizations in the U.S., indicating its operational transparency and adherence to regulatory requirements. Donations to this organization are tax deductible.


Heare are some key statistics you may want to consider:

Executive Compensation: $0
Professional Fundraising Fees: $0
Other Salaries and Wages: $0

For more financial information, click here

What is the mission statement of Roadwork Center For Cultures In Disputed Territories?

The Roadwork Center For Cultures In Disputed Territories, established in 1978, was initiated by leaders from the African American civil rights, women's, global justice, and lesbian-feminist movements. Its mission is centered around transforming consciousness and fostering the genesis of new movements in the realm of global arts and social justice. The center aims to influence perspectives and inspire the emergence of novel movements, contributing to societal change. It leverages various mediums, including oral history projects, documentary films, and collaborative performances, to promote its objectives. Exemplary projects include the "Signing the Songs" series, "Sisterfire SongTalk," and the "How the Pandemic Affecting the Navajo Nation" digital publication.

Who is the CEO of Roadwork Center For Cultures In Disputed Territories?

Jessie Washington is the Principal Officer of Roadwork Center For Cultures In Disputed Territories.

What is the revenue of Roadwork Center For Cultures In Disputed Territories?

Roadwork Center For Cultures In Disputed Territories's revenue in 2022 was $226,857.

Who are the executives of Roadwork Center For Cultures In Disputed Territories and what are their salaries?


Here are 5 key members and their salaries:


Lehuani Defranco (Interim Director)
  • Compensation: $0
  • Related: $0
  • Other: $0
James Counts Early (Director)
  • Compensation: $0
  • Related: $0
  • Other: $0
Cindy Phillips (Director)
  • Compensation: $0
  • Related: $0
  • Other: $0
Alexis De Veaux (Director)
  • Compensation: $0
  • Related: $0
  • Other: $0
Shareef Dabdoub (Director)
  • Compensation: $0
  • Related: $0
  • Other: $0
Where can I find the form 990 for Roadwork Center For Cultures In Disputed Territories?

Roadwork Center For Cultures In Disputed Territories's most recent form 990 was submitted in 2022 and can be accessed here.

Mission Statement of Roadwork Center For Cultures In Disputed Territories

The Roadwork Center for Cultures in Disputed Territories, established in 1978, is a nonprofit organization driven by influential leaders from African American civil rights, women's, global justice, and lesbian-feminist movements. Its mission is to effectuate a transformation in consciousness and foster the emergence of novel movements in the realms of global arts and social justice.

This organization seeks to inspire change by engaging in various projects, including oral history and documentary initiatives. For instance, it has documented the lives and contributions of notable figures like ASL interpreter Shirley Childress Johnson and musician Yasmeen Williams, through web articles, Wikipedia entries, and documentary shorts. Additionally, Roadwork Center has organized events such as Sisterfire SongTalk, featuring artists like Amythyst Kiah, Leyla McCalla, Martha Gonzalez, and Barbara Dane, as part of the Smithsonian Folklife Festival. The organization has also explored the impact of the pandemic on the Navajo Nation, publishing a digital article in Smithsonian Magazine. Furthermore, Roadwork Center has showcased the career milestones of Barbara Dane on the Smithsonian Folkways Recording website.

In summary, the Roadwork Center for Cultures in Disputed Territories is a pioneering nonprofit that promotes social justice and global awareness through various creative outlets. Its mission is to influence change by transforming consciousness, fostering new movements, and utilizing the power of arts to effectuate positive societal impact.

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Impact




October, 2024

Roadwork Center for Cultures in Disputed Territories has significantly influenced the landscape of global arts and social justice through its diverse initiatives. Established in 1978 by women leaders from African American civil rights, women's rights, global justice, and lesbian-feminist movements, the organization has worked to transform consciousness and inspire new movements.

One of the center's notable impacts is its emphasis on oral history and documentary projects. By documenting the experiences and narratives of marginalized communities, such as the Navajo Nation during the pandemic, the Roadwork Center fosters greater understanding and awareness of cultural struggles. Projects like "Signing the Songs" and "Sisterfire SongTalk" highlight the contributions of artists who challenge societal norms and advocate for equity through their work. The integration of these stories into educational resources like Wikipedia entries and digital publications ensures that the voices of those often overlooked are amplified and preserved.

Moreover, Roadwork's collaborations with events like the Smithsonian Folklife Festival exemplify its commitment to bridging cultural divides through arts. By promoting artists like Amythyst Kiah and Martha Gonzalez, the center not only nurtures artistic expression but also encourages dialogue around social issues, furthering its mission of creating movements centered on justice and inclusivity.

In summary, Roadwork Center for Cultures in Disputed Territories serves as a catalyst for change by championing the power of storytelling, fostering artistic expression, and amplifying marginalized voices in the pursuit of social justice.




This information is meant to be a general summary of Roadwork Center For Cultures In Disputed Territories. Please take the time to review official sources before making any decisions based upon the content provided here.


Financials

This financial information is from Propublica.

Revenue
$226,857 (2022)
Expenses
$226,510 (2022)
Efficiency

Other financial information:

This information is from the most recently submitted tax form from this organization, which was in 2022.

  • Gross Receipts: $226,857

Assets and Liabilities:

  • Total Assets: $88,864
  • Total Liabilities: $0
  • Net Assets: $88,864

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Organization Details

Founding Year

1978

Principal Officer

Jessie Washington

Main Address

4740 CONNECTICUT AVE NW, WASHINGTON, DC, 20008

NTEE Category

Code: A91B - Arts

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